Sabotage (2014)
Arnold Schwarzenegger's return to the big screen after his political career has been uneven to say the least. His cameos in The Expendables and The Expendables 2 were well received, with their self referential charm and age related irony. Yet his first major movie The Last Stand, although competent, failed to find an audience. Escape Plan fared better at the box office but did not put Arnie back on the A list. Effectively there's a large percentage of the contemporary cinematic audience who were born after his heyday and are simply not overt fans of his work. His core audience is more than likely of the age group that consume most of their film entertainment at home. Which may explain why Sabotage tanked in the US upon release on March 28th 2014. It was the worst opening box office of Arnie's career. He used to break first day opening records.
On paper Sabotage should work. Director David Ayer (Training Day) is capable of making a movie that are more than the sum of its parts and presenting us with a tale of loyalty among elite squads. Sadly he fails. Schwarzenegger strives to give a more in-depth performance as John “Breacher” Wharton, leader of a crack squad of DEA agents. Yet his endeavours are lost within the movie's numerous shortcomings. The cast are mainly wasted, being saddled with an immensely stupid, contradictory and mean spirited screenplay. Sporting such two dimensional names as “Neck,” “Monster” and “Tripod” there is precious little to like about the main characters. There's a lot of on screen violence but it is not in the usual idiom you'd expect from such a movie. It's just there because some producer thought that it was required. The dialogue is poor and littered with profanity that seems to be present to simply bolster the screenplay.
If you are looking for any kind of redeeming quality in Sabotage, then there is the spark of a decent subplot involving Olivia Williams and Harold Perrineau, playing the two officers investigating the alleged theft of ten million dollars by Wharton's team. There is a tangible sense of chemistry between them and they have some amusing banter. Sadly it does not have sufficient impact upon the rest of the movie with it's casual brutality, crass sexism and misogyny. If the film had been written from their point of view then it may well have been a superior product. As it stands Sabotage is perfunctory. I have no problem with a movie being earnestly dumb. It's when it's cynically dumb I feel that all involved should pause and take stock.
I am very curious as to what Schwarzenegger will do next because I think his immediate film has ground to a halt. It's curious that some box office stars and larger than life Hollywood legends have managed to maintain a successful career well into their autumn years. John Wayne and Clint Eastwood both maintained box office and critical acclaim well beyond their sixties. Sadly the contrived shenanigans of Sabotage are a far cry from True Grit and Gran Torino. Perhaps a change in direction away from action movies would be beneficial. Maybe a move to a major TV show would offer a chance for Arnold to find an appropriate audience.
