The McPherson Tape (1989)
In many ways the story behind The McPherson Tape is a lot more interesting than the film itself. This early found footage movie from 1989, was shot on home video on a virtually non-existent budget. The director Dean Alioto eventually found a distributor but on the eve of the movie’s home video release, the warehouse burned down and allegedly destroyed the master tape and all the promotional artwork. Yet this was not the end of the story. It was common practice in the eighties for small distributors to send advance copies to local independent video stores. Hence The McPherson Tape found its way into the pirate video ecosystem. It then migrated to the UFO community where it was circulated as being a video of a legitimate alien abduction. Dean found himself in the unusual position of having to debunk his own work. Three decades later due to the intriguing tale associated with The McPherson Tape, it has been remastered from the newly rediscovered 3/4" tape and re-released.
On the evening of October 8, 1983, the Van Heese family gather in the Connecticut mountains to celebrate the birthday of 5-year-old Michelle. The family consists of Ma Van Heese (Shirly McCalla), her three sons Eric (Tommy Giavocchini), Jason (Patrick Kelley), and Michael (Dean Alioto), Eric’s wife Jamie (Christine Staples), his daughter Michelle (Laura Tomas) and Jason’s girlfriend Renee (Stacey Shulman). Michael uses his hand-held camera to record the night’s events, much to the amusement and irritation of his family. They chat and argue as families do as the evening progresses. However when a circuit breaker trips the brothers go outside to restore power. An unusual red light overhead arouses their curiosity so they walk to a neighbouring property, only to find a spacecraft has landed. They flee back to their own house when they are noticed by the extraterrestrial occupants. Armed with shotguns they nervously await pursuit. When something tries to enter via a window, Eric shoots it and brings the body into the house as “evidence”. Is this the end of the siege or do further perils await them?
There is the germ of a good idea in The McPherson Tape and first time writer and director Dean Alioto should be applauded for trying to do something so unusual and ambitious like this back in 1989, when this genre was still in its infancy. But the film struggles to sustain its relatively short hour running time. Despite all the logical concessions that you can make to both the production and cast, this is a ponderous undertaking and a tough watch. It genuinely does at times come across as exactly watching someone’s home videos. Despite restoration, the picture quality is poor however that does work in the films favour to a degree. The characters act in a relatively plausible fashion, arguing among themselves and generally acting impulsively and without any critical thinking. But events take too long to go anywhere and by the time we reach a point where things start to get “interesting” the film ends because it has achieved its purpose.
Hence, I cannot recommend The McPherson Tape to the casual viewer, as it doesn’t really meet mainstream entertainment standards. This is most definitely a niche market product that will best suit the genre completist and aficionado. The editing is minimal and cleverly disguised making The McPherson Tape look very much like a continuous piece of footage. The camera at times is out of focus or points at a plate or the floor. Keeping things simple in scope certainly helps the proceedings and therefore we only see a small amount of the UFO and the aliens themselves. The commentary track on the new Blu-ray release is by far the biggest selling point and it is fascinating to learn how a small budget film ended up fuelling alien abduction conspiracy theories. The director later went on to remake the film with a larger budget and studio backing in 1998, under the title Alien Abduction: Incident in Lake County.