Classic Movie Themes: Friday the 13th
It was Friday the 13th yesterday, so I thought it was about time that I added Harry Manfredini’s iconic score to the annals of Classic Movie Themes. The 1980 slasher movie Friday the 13th has become as legendary in the pantheon of cinematic horror history as John Carpenter’s Halloween. Although there are marked differences between these two films, both use minimalist musical scores extremely effectively to punctuate the proceedings and embellish the overall atmosphere. However, Manfedini did not want to provide viewers with obvious audio cues during scenes of building tension. He preferred to focus his score upon the activities of the franchise's iconic killer, Jason Voorhees, and hence have strong musical cues when he was on screen. This approach meant that he had to use a unique musical motif to denote potential tension, without diminishing its effect on the audience by excessive use of obvious and melodramatic cues.
Harry Manfredini’s solution was to craft a combination of simple echoing chords combined with a vocal track which repeated the phrase "ki ki ki, ma ma ma". The concept was that these words were some kind of subliminal message; a corrupt version of "kill her, mommy" which would plague Pamela Voorhees, the protagonist from the first movie. Over the course of the franchise, Manfedini became far more adept of using this motif, which he subsequently expanded with the addition of some frenetic strings. This motif would play when something was about to happen on screen, ramping up the tension rather than mitigating it by more overt musical telegraphing. John Williams used a similar technique with his original score for Jaws. Furthermore, Manfredini would often use variations of this cue as musical red herrings, often culminating in a non-fatal jump scare.
Due to the longevity of the Friday the 13th franchise, Harry Manfredini has revised and expanded his work many times. The theme used for the opening credits of the original movie is in many ways the best example. It encapsulates the immediacy of his work and incorporates the "ki ki ki, ma ma ma" motif at its most unique point in history. Another standout version of the main title theme is for Friday the 13th Part III (1982) which was released in 3D. He again reworked the essential principles of basic cue into a pulsing new version with a distinct synth and disco vibe. Finally as an added bonus, I wanted to quickly reference Friday the 13th: A New Beginning (1985) and the song that features while Violet (Tiffany Helm) indulged in that very eighties activity, robot dancing. His Eyes by Australian New Wave Band (and shameless Ultravox plagiarists) Pseudo Echo has gained a curious cult following over the years among Friday the 13th fans.
